The King's Son And The Painted Lion

A KING, whose only son was fond of martial exercises, had a dream in which he was warned that his son would be killed by a lion. Afraid the dream should prove true, he built for his son a pleasant palace and adorned its walls for his amusement with all kinds of life-sized animals, among which was the picture of a lion. When the young Prince saw this, his grief at being thus confined burst out afresh, and, standing near the lion, he said: "O you most detestable of animals! through a lying dream of my father's, which he saw in his sleep, I am shut up on your account in this palace as if I had been a girl: what shall I now do to you?' With these words he stretched out his hands toward a thorn-tree, meaning to cut a stick from its branches so that he might beat the lion. But one of the tree's prickles pierced his finger and caused great pain and inflammation, so that the young Prince fell down in a fainting fit. A violent fever suddenly set in, from which he died not many days later.

We had better bear our troubles bravely than try to escape them.

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WAR, PEACE AND DIAMONDS IN ANGOLA

War, Peace and Diamonds in Angola
This paper examines to what extent the modalities of diamond production established in a time of war continue to influence the conduct of the industry today.The lesson from Angola today is that a notional peace is no guarantee that the exploitation of diamond resources will be done in a way that respects basic human rights. The author suggests that perhaps it is time to re-think the idea of what constitutes a 'blood diamond'.
J. Pearce.( review by Eldis Reporter)
Source: Institute for Security Studies (ISS), South Africa 2004

War, Peace and Diamonds in Angola

The insurrections of the Uniao para a Independencia Total de Angola (UNITA), and the Revolutionary United Front (RUF) of Sierra Leone forced the international community to address the problem of the sale of diamonds to fund the purchase of arms. Through the Kimberly process, the United Nations and other sections of the international community developed mechanisms to exclude from international commerce any diamonds whose sale might be traced back to armed rebel
movements.


This paper examines to what extent the modalities of diamond production established in a time of war continue to influence the conduct of the industry today.


The author conducts a brief historical overview of the evolution of the diamond industry in Angola, focusing on the way in which the Companhia de Diamantes de Angola (Diamang) has exploited labour and resources since 1919.


The paper finds that many conditions which prevent the creation of a stable and regulated environment continue to exist in Angola today. In particular, these conditions include:
* the control of the diamond fields and their populations by force of arms
* the absence of any kind of functioning legal framework to protect the rights of diamond workers and the population at large
* the lack of any functioning civil administration (beyond the level of mere bureaucracy) in most parts of the Lunda provinces
* the domination of the Angolan diamond trade by secretive networks operating on the margins of the law, but ultimately to the benefit of the members of political elites.


The paper concludes that the concept of 'blood diamonds' is one which has hitherto been associated with armed conflict. The lesson from Angola today is that a notional peace is no guarantee that the exploitation of diamond resources will
be done in a way that respects basic human rights, and which contributes to the development and well-being of the diamond-producing region, and the country as a whole. The author suggests that perhaps it is time to re-think the idea of what constitutes a 'blood diamond'.




Notes:

This articel was distributed by AFRICAFILES www.africafiles.org
a network of volunteers relaying African perspectives and alternative analyses for viable human development in the interest of justice and human rights.

Quello che non posso dire... lo dico - adesso ho poco tempo per dedicare al mio amico - qsto bellissimo blog.

Il segreto della creatività

«Il segreto della creatività è sapere come nascondere le proprie fonti»

Albert Einstein

E la tua mente?

"La mente del principiante è aperta

a molte possibilità.

Quella dell'esperto a poche"
Shunryu Suzuzi

Tenete la mente aperta

"Tenete la mente aperta, ma non così tanto da lasciare che il cervello
caschi per terra..."

Asimov